BTS V — Sweet Night Piano Sheets

Itaewon Class OST 12 by Kim Taehyung.

Here is a new song in my piano sheet music archive. The original amateur interpretation of a tune. This sheet music is created in a transformative manner (transcription). Plus music notes in the arrangement doesn't copy any existing material.

Piano Player Ability Rating: Beginner

To print piano sheet music save the direct PDF



As I learned, many of you are self-taught piano players and never had a piano class. I try to cover several popular mistakes in piano-playing techniques that we are prone to do.

About the BTS V — Sweet Night


Kim Tae-hyung certainly liked to challenge himself when writing!
Sweet Night is composed in a binary verse-chorus form that consist of two four-bar phrases. Both sections are repeated before a short coda. It's perfect for those with elementary skills.

This is a very tender song.
It should be played very slowly for a tragic, melodramatic effect.

Kim Tae-hyung presents us with a wide range of dynamics (the sound volume levels). This song follows the traditional model for the pop form. Its rhythmic basis is sustained throughout, so the LH’s principal duty will be to provide a rock-steady footing.

Common Practical Tips for Pianists


Before touching the piano keys, warm up your fingers and wrists with slow and soft rotating motions and light stretching. Rotate your shoulders and arms.

To begin with, practise hands separately, slowly, and in small pieces of one-two bars.
Practise the harder passages first and do it frequently.

Count out loud to ensure accurate rhythm. By counting I mean the tA-ta-tA-ta, not the old ineffective one-and-two-and.
Accent strong beats and play the first bar of any phrase louder than the last bar.

Make sure to arch your fingers. This is important for the health of your wrists and palms.
Slacking your fingers will overwork them and will cause strain.
Keep relaxed, flexible wrists, hands and arms when playing Sweet Night .
A flexible wrist allows producing a warm sound.
Both hands should play smoothly (legato) if not indicated the opposite (staccato).

How to Memorize Sheet Music


Start memorizing Sweet Night from the very beginning. Use the sheet music as a hint and avoid looking at a paper sheet (or a monitor) as long as you can when rehearsing the music piece.

In the left hand there are only four chords that are repeated for the whole song.

And the last, be artistic, be creative. Print the pdf, take correction fluid and a black pen and add or delete whatever you want in this arrangement.

How to Play V — Sweet Night Sheet Music


Piano Playing Method


Accuracy in articulation are essential for playing Sweet Night piano sheet music.
Your tone should be melodramatic and fresh.
Keep your fingers close to the keys and do some firm practice from the knuckles.

The articulation in this piece is tricky because it alternates between legato and staccato.

Accent every note, varying the accents each time you play. Once played lightly and up to speed, the ornament should flow naturally.
It’s worth trying out this technique for the entire song.

Among the hardest facets of piano playing is controlling a lightness of attack, and when coupled with playing at a faster speed, a reliable warm-hearted leggiero touch must rank as among the most prized piano skills.

The patterns in verses can become repetitive if not coloured imaginatively and played with rhythmic stamina. This will create some drama in your performance.

Sweet Night is speedy. Always keep the hands relaxed, especially with repeated notes, piano keyboard is not lightweight and causes a muscle pain.

Don’t forget to bring dynamic colour to your performance by quickly moving from piano to forte; play every new part with a different volume level.

Take note of the crescendo/decrescendo and piano/forte markings in order to make your piano sound more noticeable or prominent; to emphasize the Kim Tae-hyung's lyrics. Only begin your diminuendo by gradually playing the passage more softly.

The Right Hand


Start learning the score music with the Right Hand part.

Listen to the actual track Sweet Night as you begin to learn the arrangement.

The RH here plays a vocal melody (topline with lyrics) plus some instrumental accompaniment without lyrics. First separate the melody from the accompaniment in the RH. Try singing the melody la-la-la or ta-ta-ta as you play, so you can mentally separate the topline from the accompaniment in the RH.

Practise slowly at first, giving a distinct emphasis on the topline while playing the accompaniment as gently and as evenly as possible. To begin with, play the voice melody line by itself to develop a confident mastery over the weaker 4th and 5th fingers. Once the RH top line has settled, add the second-voice accompaniment. Because the second voice is played by the stronger fingers in the RH, it can be difficult to keep the right balance of power. Your thumb should do little more than brush the lower note in a small circular movement.

Keep your wrist and hand loose and relaxed as you do this.

Notice how short phrasing is. Put the emphasis on the first note of each phrase.

The Left Hand


After getting familiar with the RH, focus on the LH. Practise the LH alone here to ensure a rich and mellow bass.
This is one of those pieces where the bulk of the practising will be devoted to an accompaniment.

The LH is generally soft throughout.
The accompaniment in this score changes from chords to an arpeggiated pattern.

When playing chords, rotate your hand towards the weaker 4th and 5th fingers.
To voice each chord effectively, give the lower note greater emphasis, tone and shape.
Chord too big for the left hand? Leave out repeated notes or/and transfer the top to your right. Or arpeggiate the chord.

Get your hand in position for each chord before playing it.
A relaxed wrist will help you to balance chords so that all notes sound at the same time.
In the left-hand’s chords use the forward and backward movement along the axis of the hand. Instead of twisting the left hand to the left to reach the next lower chord in the progression, move your arm closer to the black keys, thus allowing for the hand to remain in a linear, more natural position.
In the left-hand’s accompaniment we can avoid the build-up of tension in these left-hand octave-long wearing movements: instead of using solely your fingers (1st and 5th), rotate the wrist and forearm while keeping the fingers fixed.

When playing arpeggiated accompaniment, start slow and steady. Only as you become more accustomed to the notes and fingerings, begin to increase your speed.
Keep the upper notes lighter (those usually played by the “heavy” thumb), and focus on adding color to the lower notes in the left-hand pattern.
Producing a completely smooth and connected tone at the piano (legato playing) in arpeggiated playing is one of the trickiest things to achieve. Avoid being choppy and disconnected to enable expressing the sound to the fullest. Do not solely rely on the pedal for legato, but rather rely on the fingers, to create as much independence in tone, dynamics, expression, etc. between the various textures and voices. Finger pedaling is highly effective as it creates a seamless, smooth, and connected sound. Next time, try using this technique on melodic lines and when you want to keep accompaniment figures more in the background.

Banging on the keys, twisting, curling or overstretching of the fingers to their maximum limits will lead to micro-injuries and fatigue. Instead of the motion of your fingers, employ the natural rotary movements of both the forearm and the hand. Professional pianists protect their fingers from fatigue this way.

While it might seem counterintuitive to use the left thumb to reach down for single bass notes, it ensures a smooth, decisive downward progression. Playing trills in the LH is often best achieved using the thumb.

As you begin to practise both hands together, start slowly before gradually increasing your tempo.
In the last phase of learning a piece the use of a metronome is vital as you will be working on rhythmic partnerships between both hands. Nearly all modern pop music contains a firm beat. Become aware of the underlying 'pulse' and accent where the 'stronger' beat falls but remember that more is less. Avoid over-using your left hand. Aim at simple and clear playing.
Focus on soloing with the right hand without relying on the accompaniment in the left hand. Make every single note that you play to mean something.
In playing any piano transcription of a song, the aim is to give the impression of a singer (the RH) that is being accompanied by a sensitive pianist (the LH). Imagine a duet between a band and a singer, so color the two hands differently. Coordinating the parts may take some time to organise convincingly.

On the final step add the sustaining pedal.

More Piano Sheet Music from BTS
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All credits go to songwriters. The arrangement in sheet music is transformative.

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